Summary
Exum offers a literary and critical reading of Song of Songs, attentive to voice, imagery, and the dynamics of desire and delight within the poem. The commentary engages a wide range of interpretative history, often probing how readers have framed the Song through theological, cultural, and gendered assumptions. There is substantial attention to the text as poetry, including repetition, movement, and the layered use of metaphor. If you come expecting a straightforward devotional guide, you will be disappointed. If you come expecting an academically rigorous exploration of how the Song works as literature and how it has been read, the volume delivers.
The method and interests are not those of confessional exposition, so pastors will need to read with discernment. Even so, the commentary can help you take the Song seriously on its own terms and resist the temptation either to flatten it into moral advice or to force it into an allegory without textual warrant.
Strengths
The strongest contribution is close reading of poetic features. Exum helps the reader track speakers, notice shifts, and weigh interpretative choices that are often glossed over. That sort of work matters for preaching and teaching because it disciplines us to let the text set the agenda. The commentary also offers a useful survey of debates about genre and purpose, and it can equip teachers to explain why the Song has generated such diverse readings.
Another strength is honesty about the impact of interpretation. Even when you disagree, you will be forced to articulate why you read the Song the way you do, and what theological commitments shape that reading.
Limitations
The limitations are significant for pastoral use. The commentary does not aim to locate the Song within a Christian canonical frame, and it can be sceptical toward readings that move from the Song to redemptive fulfilment. There are moments where interpretative discussion feels driven by contemporary questions more than by the flow of the text. As a result, the book is better suited to academic study than to the weekly pressure of sermon preparation.
Those seeking help with a careful, Christ centred approach to the Song will need other guides. This volume can sharpen observation, but it will not provide the theological synthesis a church needs.
How We Would Use It
We would use Exum selectively, mainly to improve our handling of the poetry. Consult it to test speaker identification, to check how an image functions, and to understand major interpretative options. Then return to the canonical context and work out how the Song speaks within Scripture as a whole. Use it in the study more than in the pulpit, and pair it with resources that serve Christian proclamation.
Closing Recommendation
A serious academic treatment that can sharpen textual observation, but its methodological commitments limit its usefulness for confessional preaching. Best for advanced readers who can sift helpfully and keep biblical theology in view.
J. Cheryl Exum
J. Cheryl Exum is an American Old Testament scholar of the late twentieth and early twenty first centuries, known for literary and feminist approaches to Scripture.
Her work has focused particularly on narrative texts and the portrayal of women in the Hebrew Bible. She has produced influential studies that read biblical stories with attention to character, voice, and narrative artistry.
Exum’s writing is valued within academic circles for its close literary analysis and probing questions about power and gender. While her approach differs from confessional evangelical commitments, engagement with her work can sharpen awareness of interpretative assumptions and narrative technique.
Theological Perspective: Non-Evangelical/Critical